Speaking of Murder
Book By: Audrey & William Ross
Directed by: Nancy Wright
Produced by special arrangement with Samuel French, Inc.
The People …
Leading Roles
in order of appearance
Joe | Kozy Riggs |
Ricky Ashton | Nick Scherf |
Connie Barnes Ashton | Carla Fenton |
Janie Ashton | Cala Riggs |
Charles Ashton | Norb Mills |
Annabelle Logan | Diana West |
Ethel Walworth | Nancy Janney |
Mildred | Maureen Sweeney |
Det. Al Mitchell | Chad Clark |
Production Staff
Director | Pat Kennedy |
Co-Producers | Nancy Janney, Diana West |
Stage Manager | Marie Rossiter |
Set Design | Chris Kasner |
Scenic Art | Matt Wiederhold |
Assisted By | Steve Antalek, Tom Gordon, Jake Gordy, Diana West |
Lighting Design | Marie and Jon Rossiter |
Property Manager | Bonnie Brandenburg |
Set Dressing | Matt Wiederhold |
Sound Design / Engineer | Don Weber |
Set Construction | Chris Kasner, Hans Schober, Matt Wiederhold |
Lighting Crew | Jon Rossiter, Mark Boerst |
Property Crew | Sherry Ballou, Karen Wolf, Debbie Marinik, Joyce Calms |
Sound Crew | Marc Malley, Derek Nolte |
Program | Chris Kasner, Patti Skaff |
House Manager | Ann Veasey |
Box Office | Ann Veasey, Scott Jackson, Kimberly Bruggemann, Judy Wiederhold, Lisa McKnight, Patti Skaff, Carol Kwiatkowski, Roger Whitmore |
House Staff | Larry Charchol, Jane Bihn, Sue Dennis, Tom & Sandy Kirkman, Joanne Ache, Bob & Ruth Wood, Rick & Barbara Vaught, Sue Holliger, Gloria Conner, Leta Logan, Mary Close, Linda Osstifer, Elaine Moebius, Roberta & Stephen Smith, Carolyn Burns, Bob & Judy Rank, Linda Woodall, Barbara Britsch, Vicky Anderson, Nancy De La Garcia, Harry Schulman, Florence & Bob Warnke, Charlotte Smith, Les & Melisa Beland, Ed & Maragaret Burnham, Ruth Kanicki, Herb & Phyllis Carrick, Marie Adkins, Emma Rogierio, Rose Gottlieb |
Marquee Signs | Miriam Weintraub |
Cast Photography | Timeless Images |
The Show!
Place: The library of the Ashton home, 40 miles North of New York City
Time: The Present
Scenes:
Act I
Scene 1: Late afternoon
Scene 2: Half an hour Later
Act II
Scene 1: Following Friday before noon
Scene 2: Later that afternoon
Act III
Scene 1: Same afternoon, five o’clock